Here is a collaborative piece I made with Alex Vittum, comprised of recordings of Alex’s gongs and cymbals - some of which were processed with my modular synth - and edited in Pro Tools.
Filed by chuck j at 7:04 pm under sounds
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…Some images from the with chuck johnson with philip white duo performance at the Charleston Communications Museum, June 18.
Here is a piece I recorded with Philip on the Studer 24 track at at Mills last May.
Filed by chuck j at 1:12 am under sounds, travel
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Here is a recording of “Stoa Poikile,” my final project for the seminar in Electronic Music Perfromance, recorded at the class concert on May 8. The photo was taken from the Lisser Hall sound booth by Luke Selden, TA and sound engineer extraordinaire.
“Stoa Poikile” is composed for a band of radical democrats (or small ensemble of non-fixed pitch instruments) and 96 resonant bandpass filters. This performance features Brendan Aanes on violin, Danishta Rivero on cello, Cutis McKinney on contrabass, and me on electronics.
The instruments are fed through a bank of 96 resonant bandpass filters tuned to frequencies derived from just intonation tunings. Each tuning of the filter creates a unique sonic structure – a virtual space to be explored by the instrumentalists. The instrumentalists gradually learn their way around the interior of the structure – initially by playing slow glissandi and seeking out the resonant nodes of the tuning. When excited, the frequencies from the scale will be audible as tone swells, similar to an Aeolian Harp or sympathetic strings. When each instrumentalist excites a resonating frequency he or she likes, that tone should be held. When all instrumentalists are playing sustained tones and a resonant chord is sounding, the filter player changes the tuning and the process repeats.
I wrote a Max/MSP patch to provide the bank of tunable filters and a trigger for changing tunings:
You can’t tell from the concert photo, but the Jitter visuals projected across the performers consist of ripples flowing upward. The waves respond to the amplitude coming from the patch. Very simple, and borrowed in part from Andrew Benson:
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Filed by chuck j at 7:17 pm under sounds
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Fall 2007 at Mills is now a thing of the past. Here’s a sampling of how I’ve spent my time over the past five months.
Fluvial Cortex - for trombone and electronics. This is a recording from the finale concert for the composition seminar taught by Roscoe Mitchell. I wrote a patch in pure data that consists of a bank of sine wave oscillators tuned to a 7-limit just intonation D minor scale. I wanted to utilize Lisser Hall’s acoustic character, trombonist Andy Strain’s skill with multiphonics, and the microtonal possibilities of his instrument. The score instructs him to move through the space, playing intervals derived from a tintinnabulist, just D minor triad, then playing glissandi between closely tuned intervals in the scale. The trombone is unamplified and Andy is essentially playing from inside the electronically generated sound creating beat patterns against the sine waves. The final three minutes feature samples from Cortex Trigger, a small ensemble piece I composed for another project in the seminar.
The Pacer - A mix created from home environment recordings made by myself and other students in Pauline Oliveros’ Deep Listening Seminar. The title refers to the labrador retriever who would run laps every night in the parking lot under my window.
Here are a couple of recordings from the Thursday Night Special series at Mills:
An improvised piece with me on prepared steel guitar and Jordan Glenn on drums.
A performance by the Pykrete Choir - Jason Hoopes on electronics, Amanda Schoofs on vocals and me on analog electronics and feedback loops.
Filed by chuck j at 10:32 pm under sounds
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(appropriated image)
It’s time to catch up on some recent recordings. There hasn’t been much time since school started, but I’ve made it a personal goal to record a synth jam every couple of days.
I posted something similar a few months ago, but I think this one is a bit more refined: Here is a synthesizer pretending to be “Nature.” Noise -> Sample and Hold.
Here is feedback-generated rhythm. Notice how voltage fluctuations throw you off just as you are getting your dance move down.
This one’s namesake is some bad news I received about my car yesterday.
And here are some pieces that resulted from recent course work:
A soundwalk piece (for a seminar with Zeena Parkins.)
And a piece programmed and performed in Supercollider (for a Computer Music seminar with Chris Brown.) This one makes gratuitous use of an object based on Xenakis’ GENDY program that does “dynamic stochastic synthesis.”
“The lab” circa last week:
Filed by chuck j at 1:55 pm under handmade electronics, sounds, synthesizer, works-in-progress
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