December 29, 2006
distractions

The National Geographic Channel has been running a Dog Whisperer marathon, which means I’ve been spending a lot of time in front of the TV instead of writing essays for grad school applications. Sure, the dogs they cast for the show can be hilarious/tragic/frightening and his methods are supposedly controversial. But what I find most compelling is the way dog rehabilitator Cesar Millan stresses the importance of being in the moment and having an awareness of the energy you project - and the effect this has on the human and animal clients.
Malcolm Gladwell did a great piece on Millan for the New Yorker in which he analyzes the Dog Whisperer from the persepctives of a Laban movement expert and a dance-movement psychotherapist.
Somewhat related… the movement work of G. I. Gurdjieff.

I watched a documentary about Gurdjieff over the holidays and despite being turned off by the occulty, willful obscurity surrounding his teachings I am intrigued by his work with music and dance. Gurdjieff (along with his pupil, composer Thomas de Hartmann) composed a series of piano and orchestral pieces inspired by sacred music he while traveling throughout the Middle East, Africa, Eastern Europe and Central Asia during his formative years. The music has been recorded by Keith Jarrett and has a modal, melancholy quality and it’s easy to imagine that it might have sounded “exotic” at the time. There is also a boxset of archival harmonium recordings (with liner notes by Robert Fripp) but I haven’t heard it.
Here is “Orthodox Hymn from Asia Minor” for piano.
Here is an article that analyzes Eastern and microtonal music using Gurdjieff parlance. The idea of intention when playing dissonant music is interesting but the writer also manages to simultaneously oversimplify and obfuscate some of the theory.
As for the dances - they are fascinating and bizarre. Search for “Gurdjieff” and “dance” on Youtube.
Filed by chuck j at 10:27 am under nothing much, sounds
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